Tuesday night Delmar Hall was taken over by heavy riffs, explosive energy, and unapologetic attitude on September 22 as Scene Queen brought her Metalicious Tour to St. Louis, joined by Wargasm and Bailey Spinn. With three artists bringing their own unique styles to the stage, the evening delivered a mix of alternative metal, industrial sounds, pop influences, and plenty of personality.

Opening the night was Bailey Spinn, who wasted no time getting the crowd involved. Her infectious energy and constant movement made her an engaging presence onstage, while her blend of alternative pop and heavier influences helped set the tone for the evening. Spinn connected with the audience throughout her performance, bringing a youthful enthusiasm that made her an excellent choice to kick off the show.

Next up was Wargasm, the British duo of Sam Matlock and Milkie Way, who turned up the intensity with their aggressive combination of electronic beats, industrial metal, and punk attitude. Their performance brought a darker, heavier edge to the night, with pounding rhythms and an unpredictable stage presence that kept the crowd moving.

However, the set took a tense turn during the second song “Vigilantes” as Sam Matlock became frustrated with the photographers in the photo pit. He screamed at them, “Get the fuck out or I break it,” making it clear that their presence was distracting him from the performance. After the bands set I ran into Sam outside the venue. He took the opportunity to apologize for what had happened, explaining that the movement of photographers in front of the stage disconnects him from being in the moment with the crowd.

Wargasm’s chemistry was impossible to miss. Matlock and Way bounced off each other’s energy, creating a chaotic atmosphere that suited their music perfectly. The intensity continued to build as the band encouraged the crowd to open up the pit, giving the room another burst of adrenaline before the headliner took over.

Then it was time for Scene Queen.

Taking the stage with her signature pink aesthetic and fierce attitude, Scene Queen delivered a performance that was equal parts heavy metal, pop spectacle, humor, and empowerment. Her self-described genre of “bimbocore” combines crushing breakdowns with catchy hooks, colorful visuals, and lyrics that challenge misogyny and the expectations placed on women in heavy music.

From the moment she appeared, the audience responded with enthusiasm. Scene Queen’s charisma and sharp sense of humor made the performance feel personal, while the band’s heavy instrumentation provided plenty of punch. She has a talent for balancing playful, outrageous moments with a serious message about confidence, individuality, and making space for women in a scene that hasn’t always welcomed them.

Songs such as “Barbie & Ken,” “Pink Rover,” “Pink Panther,” “MILF,” and “18+” showcase the contrast that makes Scene Queen stand out. Catchy, almost bubblegum-style melodies collide with aggressive guitars and breakdowns, creating a sound that’s both fun and ferocious. The audience sang along, danced, and embraced the colorful chaos unfolding onstage.

One of the biggest strengths of Scene Queen’s live show is her ability to turn a concert into a celebration of individuality. Her music refuses to fit neatly into one category, and her stage presence reflects that same attitude. She can go from playful pop-star energy to full-on metal aggression in an instant, keeping the performance unpredictable and entertaining.

The evening’s lineup worked particularly well because each act brought something different. Bailey Spinn opened with infectious enthusiasm, Wargasm raised the intensity with their industrial-metal assault, and Scene Queen brought everything together with a colorful, high-energy headline performance.

Final Verdict: Scene Queen’s Metalicious Tour stop at Delmar Hall was a celebration of heavy music without boundaries. With Bailey Spinn setting the tone, Wargasm delivering a relentless burst of energy, and Scene Queen closing the night with her signature blend of humor, heavy riffs, and unapologetic confidence, St. Louis got a show that was as entertaining as it was empowering. It was a reminder that heavy music doesn’t have to follow the rules—and Scene Queen is more than happy to break every one of them.